文導 week 11－kuei491108的部落格

End rhyme

End rhyme is defined as when a poem has lines ending with words that sound the same.

Rhyme scheme

A rhyme scheme is the pattern of rhymes at the end of each line of a poem or song. It is usually referred to by using letters to indicate which lines rhyme; lines designated with the same letter all rhyme with each other.

For example:

“Two in the Campagna”---by Robert Browning

Sarcasm

Sarcasm is the use of irony to mock or convey contempt. "The distinctive quality of sarcasm is present in the spoken word and manifested chiefly by vocal inflections". The sarcastic content of a statement will be dependent upon the context in which it appears.

Ars Poetica

BY ARCHIBALD MACLEISH

A poem should be palpable and mute

As a globed fruit,

Dumb

As old medallions to the thumb,

Silent as the sleeve-worn stone

Of casement ledges where the moss has grown—

A poem should be wordless

As the flight of birds.

A poem should be motionless in time

As the moon climbs,

Leaving, as the moon releases

Twig by twig the night-entangled trees,

Leaving, as the moon behind the winter leaves,

Memory by memory the mind—

A poem should be motionless in time

As the moon climbs.

A poem should be equal to:

Not true.

For all the history of grief

An empty doorway and a maple leaf.

For love

The leaning grasses and two lights above the sea—

A poem should not mean

But be.

The last line of "Ars Poetica" gives us the real takeaway of the whole poem: poetry isn't "meaning"; it's about "being."

Since poems are about life, and life is indefinable, poems shouldn't try to make meaning. According to this guy, reading poetry is about the experience, not the content.

Figure of speech

A figure of speech or rhetorical figure is figurative language in the form of a single word or phrase. It can be a special repetition, arrangement or omission of words with literal meaning, or a phrase with a specialized meaning not based on the literal meaning of the words. There are mainly five figures of speech according to Maggie Tucker: simile, metaphor, hyperbole, personification and synecdoche. Figures of speech often provide emphasis, freshness of expression, or clarity.

Synecdoche

A synecdoche (/sɪˈnɛkdəkiː/, si-nek-də-kee; from Greek συνεκδοχή, synekdoche, lit. "simultaneous understanding") is a figure of speech in which a term for a part of something refers to the whole of something or vice versa. A synecdoche is a class of metonymy, often by means of either mentioning a part for the whole or conversely the whole for one of its parts. Examples from common English expressions include "bread and butter" (for "livelihood"), "suits" (for "businesspeople"), and "boots" (for "soldiers"). Synecdoche also appears in the use of government buildings to refer to their occupant or agency, as "No. 10" for the British Prime Minister or "The Pentagon" for the United States Department of Defense.

La Belle Dame sans Merci

"La Belle Dame sans Merci" (French for "The Beautiful Lady Without Mercy") is a ballad written by the English poet John Keats. It exists in two versions, with minor differences between them. The original was written by Keats in 1819. He used the title of the 15th-century La Belle Dame sans Mercy by Alain Chartier, though the plots of the two poems are different.

The poem is considered an English classic, stereotypical of other of Keats' works. It avoids simplicity of interpretation despite simplicity of structure. At only a short twelve stanzas, of only four lines each, with a simple ABCB rhyme scheme, the poem is nonetheless full of enigmas, and has been the subject of numerous interpretations.

O what can ail thee, knight-at-arms,

Alone and palely loitering?

The sedge has withered from the lake,

And no birds sing.

O what can ail thee, knight-at-arms,

So haggard and so woe-begone?

The squirrel’s granary is full,

And the harvest’s done.

I see a lily on thy brow,

With anguish moist and fever-dew,

And on thy cheeks a fading rose

Fast withereth too.

I met a lady in the meads,

Full beautiful, a fairy’s child;

Her hair was long, her foot was light,

And her eyes were wild.

I made a garland for her head,

And bracelets too, and fragrant zone;

She looked at me as she did love,

And made sweet moan

I set her on my pacing steed,

And nothing else saw all day long,

For sidelong would she bend, and sing

A faery’s song.

She found me roots of relish sweet,

And honey wild, and manna-dew,

And sure in language strange she said—

‘I love thee true’.

She took me to her Elfin grot,

And there she wept and sighed full sore,

And there I shut her wild, wild eyes

With kisses four.

And there she lullèd me asleep,

And there I dreamed—Ah! woe betide!—

The latest dream I ever dreamt

On the cold hill side.

I saw pale kings and princes too,

Pale warriors, death-pale were they all;

They cried—‘La Belle Dame sans Merci

Hath thee in thrall!’

I saw their starved lips in the gloam,

With horrid warning gapèd wide,

And I awoke and found me here,

On the cold hill’s side.

And this is why I sojourn here,

Alone and palely loitering,

Though the sedge is withered from the lake,

And no birds sing.

Ballad

A ballad /ˈbæləd/ is a form of verse, often a narrative set to music. Ballads derive from the medieval French chanson balladée or ballade, which were originally "dancing songs". Ballads were particularly characteristic of the popular poetry and song of the British Isles from the later medieval period until the 19th century and used extensively across Europe and later the Americas, Australia and North Africa.

l(a (p.883)

"l(a" is a poem by E. E. Cummings. It is the first poem in his 1958 collection 95 Poems. "l(a" is arranged vertically in groups of one to five letters.

When the text is laid out horizontally, it either reads as l(a leaf falls)oneliness.

Cummings biographer Richard S. Kennedy calls the poem "the most delicately beautiful literary construct that Cummings ever created".

E. E. Cummings

Edward Estlin Cummings (October 14, 1894 – September 3, 1962), known as E. E. Cummings, with the abbreviated form of his name often written by others in lowercase letters as e e cummings (in the style of some of his poems—see name and capitalization, below), was an American poet, painter, essayist, author, and playwright. His body of work encompasses approximately 2,900 poems, two autobiographical novels, four plays and several essays, as well as numerous drawings and paintings. He is remembered as an eminent voice of 20th century English literature.